Magenta dripping in a biome brimming. Objects and intensities and there — you. Here, expired Fuji Astia 100 slide film produces distinct magenta overtones that are methodically instigated through cross-processing techniques. Further activation occurs in the subtle fringing of chromatic aberration and its blue hues, suggesting the pure or vulgar material phase of an old lens, an expired emulsion, an odd chemistry and their performance. Environs may ooze effortlessly, returning replete with data and their sources. Objects may shift from synthetic to organic from frame to frame. Reflections of a musing, or melisma, in three dreams. Tools: Hasselblad 500 c/m 80mm. Wonder.